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SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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GET READY FOR ARSLAN NIZAMI, DRV AND BOYBLANCK AND DANISH AHMED!

It’s a wonderful set of music releases with artists like Arslan Nizami, DRV and Boyblanck and Danish Ahmed that The Daily Eye #Newsdesk r...

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THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI

On the Mahatma’s 154th birth anniversary, Humra  Quraishi brings snatches of conversations she’s h...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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FROM RAKESH BEDI, WITH LOVE!

Vinta Nanda takes a tour around the life of writer, playwright, dramatist and actor Rakesh Bedi along with him in this intervi...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

AUCTION OF VINTAGE POSTERS OF BENGALI CINEMA, RAY

From Pather Panchali to Kabuliwala, from Devi to Ghare Bhaire – it’s an unsurpassed Collection, reports The Daily Eye #News...

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